Author: Tahar Ben Jelloun
Original language: English
The Last Friend, the novel from internationally acclaimed author Tahar Ben Jelloun, winner of the 2004 International Dublin/IMPAC award, is a Rashamon-like tale of friendship and betrayal set in twentieth century Tangier. Written in Ben Jelloun’s inimitable and powerfully direct style, the novel explores the twists and turns of an intense thirty-year friendship between two young men struggling to find their identities and sexual fulfillment in Morocco in the late 1950s, a complex and contradictory society both modern and archaic.
From their carefree university days through their brutal imprisonment and ultimate release, the two rely on each other for physical and psychological survival, forging bonds not easily broken. Each narrator tells his version of the story, painting a vivid portrait of life lived within and in opposition to the moral strictures of North Africa.
Set against a backdrop of repression and disillusionment, The Last Friend is a tale of loss of innocence and a nation’s coming of age.
“In his affecting new novel, Moroccan-French novelist Ben Jalloun (This Blinding Absence of Light) eloquently portrays postcolonial political unrest in Morocco through the long, ultimately ruptured friendship between two men. The novel is set over 40 years of Moroccan history, beginning in 1960 (a few years after Moroccan independence from France), when the two friends, Ali and Mamed, attend a French school in Tangier. The story tracks their joint political activism and imprisonment in the mid-’60s, professional and romantic successes, and marital disappointment. The two voices share the narrative evenly: first, Ali, an academic, tells his side of their falling-out. Mamed, a doctor who in later years moves with his family to Sweden, ails from a ‘strange, neurotic relationship with [his] homeland’ and, eventually, from lung cancer. Mamed precipitates a self-protective rift with Ali before dying. A long posthumous letter to Ali explains that Mamed had hoped to spare their friendship from the ravages of death – and yet, has Mamed acted finally from jealousy and spite? Their friendship becomes a journey through their Moroccan heritage, skillfully navigated by Ben Jalloun.” Publishers Weekly