In an endeavor similar to his debut novel, The Kitchen Boy, Alexander couples extensive research and poetic license, this time turning his enthusiasm toward perhaps the most intriguing player in the collapse of the Russian dynasty: Rasputin. This eyebrow-raising account of the final week of the notorious mystic’s life is set in Petrograd in December 1916 and narrated by Rasputin’s fiery teenage daughter, Maria. The air in the newly renamed capital is thick with dangerous rumors, many concerning Maria’s father, whose close relationship with the monarchy-he alone can stop the bleeding of the hemophiliac heir to the throne-invokes murderous rage among members of the royal family. Maria is determined to protect her father’s life, but the further she delves into his affairs, the more she wonders: who, exactly, is Rasputin? Is he the holy man whose genuine ability to heal inspires a cult of awed penitents, or the libidinous drunkard who consumes 12 bottles of Madeira in a single night, the unrestrained animal she spies “[eagerly] holding [the] housekeeper by her soft parts”? Does this unruly behavior link him to an outlawed sect that believes sin overcomes sin? The combination of Alexander’s research and his rich characterizations produces an engaging historical fiction that offers a Rasputin who is neither beast nor saint, but merely, compellingly human.